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Summary: Jason used to give her nightmares.
She's proud and she's cocky and she ignores all of the warning signs. Fuck, the thing is called the Weapon X project, that should be enough of a sign for anyone, though she doesn't find that out until she's in too deep and too classified to back out. Its name wasn't in any of the paperwork she read before she signed her name (she read it line by line, the fine print too, she didn't skip or skim), just "classified military projects in the US and abroad."
If she thinks about that at all, she thinks that it means nuclear depots in Iran. Not secret bases in Canada. Does the Canadian government know about the projects at Alkali Lake? Do they care? She never asks.
Once upon a time, Yuriko Oyama had a mind of her own and actually wanted a job with William Stryker. A closer look at a woman who became a weapon, that gives agency and perspective to a character who had neither in the film.
The drowned face always staring toward the sun
She's proud and she's cocky and she ignores all of the warning signs. Fuck, the thing is called the Weapon X project, that should be enough of a sign for anyone, though she doesn't find that out until she's in too deep and too classified to back out. Its name wasn't in any of the paperwork she read before she signed her name (she read it line by line, the fine print too, she didn't skip or skim), just "classified military projects in the US and abroad."
If she thinks about that at all, she thinks that it means nuclear depots in Iran. Not secret bases in Canada. Does the Canadian government know about the projects at Alkali Lake? Do they care? She never asks.
Once upon a time, Yuriko Oyama had a mind of her own and actually wanted a job with William Stryker. A closer look at a woman who became a weapon, that gives agency and perspective to a character who had neither in the film.
The drowned face always staring toward the sun
